Where the Utsuro-bune landed depends on the text

Fourteen old texts tell of a round vessel and a woman with a box on a Hitachi beach in 1803. The beach named in the Toen-kai text appears in no Edo record.

The Toen-kai account of the hollow ship names the beach where it came ashore: Harayadori, in Hitachi province. No Edo-period record has turned up with a place of that name, and it was taken for an invention.9 In 2014 Tanaka Kazuo, a Gifu University professor emeritus,10 found the beach written another way in a document from a ninja family’s papers: Hitachihara Sharihama, a name that appears on Inō Tadataka’s map of the coast.1112 If he is right, the beach is real. It is also a stretch of dunes where, the Kamisu city newsletter says, nobody lived until 1872.13

This is the story as the Toen-kai text tells it, in the copy kept at Japan’s National Archives.14

In the spring of 1803, on the 22nd day of the second month, around noon, people on a beach in Hitachi called Harayadori saw something like a boat out at sea.141516 The people of the shore rowed out in small boats and drew it up onto the beach. No one could talk to the woman who was aboard, so no one could learn where she came from.16

The vessel was shaped like an incense box and about three ken long, with glass screens on top and iron plates along the bottom.17 Inside were water, food and the woman.18 Her eyebrows and hair were reddish and her face was pink.19 She held a box two shaku square.18

An old man of the place said she was the daughter of a foreign king, whose lover had been put to death, and that the box probably held the lover’s head.20 Reporting it would have cost the village a great deal, so they put her back in the vessel and drew it out to sea.21

One story, fourteen texts

The Archives file the copy under the Hirokata zuihitsu, “Hirokata’s essays”, call number 特095-0004.14 Minakami Ryūtarō traces the text to 1825 and the Toen-kai, a monthly gathering in Edo where twelve collectors of curiosities brought each other strange stories, and names Bakin and his son Sōhaku as its authors.22 It was later bound as the Toen shōsetsu and travelled in hand copies.22 A coloured copy at Tenri University’s Central Library has the vessel, the woman and four strange signs.23

A coloured manuscript drawing of a flat bowl-shaped vessel with grid-patterned screens on its dome and black and white vertical bands round its hull; above it are four signs made of triangles, circles and bars, with columns of cursive notes beside them

The vessel and its four signs, from the Hirokata zuihitsu, 「うつろ舟の蛮女」, copy of the Toen-kai text. 国立公文書館所蔵, 弘賢随筆 特095-0004, from the Archives’ exhibition 漂流ものがたり, cropped.17

The Ōshuku zakki draws a different vessel. It is a round one with a flat rim and a single window, labelled ウツロ舟図 (“hollow ship drawing”), and a woman with long loose hair stands beneath it.24

A pen drawing of a round vessel with one rectangular window on its dome, a flat wide rim round its middle and vertical ribs on its lower half; katakana labels and a few small signs stand around it

The vessel labelled ウツロ舟図 in the Ōshuku zakki, vols. 13 to 14, a manuscript copy of Komai Norimura’s notes. 「鶯宿雑記」巻13-14 (駒井乗邨), National Diet Library Digital Collections, call number 238-1, pid 10301138, cropped.24

Tanaka counts fourteen texts of thirteen kinds, and every one has a picture.1 He sorts them into three groups. The Toen shōsetsu and nine other kinds are the first. The Ōshuku zakki and a paper from Mito form the second, which tells the same event from another source. The third is a single paper that puts the landing at a harbour in Bōshū.25

Three of them he calls the oldest and closest to the original: the Banke document, the Shinko zakki and the Ibun zassho. They share a plot, were written soon after 1803, name no lord, and draw the vessel as a bowl with a straight base.2 The Ibun zassho, in the Sakakibara family papers, is a private notebook compiled by Suzuki Kanrai, who died in 1812; its entries run to 1806.26 The table follows Tanaka’s date for each text.

TextDated by TanakaArrivalBeach
Ibun zassho1803626th, 3rd month4原舎ノ濱6
Shinko zakki1803626th, 3rd month4厚舎ヶ濱6
Banke document1803626th, 2nd month4原舎り濱6
Ōshuku zakkiabout 181568th month, 2nd day5阿久津浦6
Toen shōsetsu (Hirokata copy)1825622nd, 2nd month14はらやどり15
Mito documentundated68th month5外濱6

Three months

The oldest three agree on the day and differ on the month. Tanaka takes the Banke document’s second month for a copyist’s slip, which would put all three on the 26th of the third month.4 The Toen-kai text has the 22nd of the second month, and spring.14 The Mito document and the Ōshuku zakki entry say the eighth month.5

The calendar database of Japan’s National Astronomical Observatory shows that 1803 had a leap first month.27 By it, the Toen-kai date falls on 13 April and Tanaka’s date for the oldest three on 17 May.27 The eighth month began in mid-September.27 So the texts put the landing in spring or in autumn.

A beach with many spellings

Several of the texts write the beach with the characters 原舎 and small changes of ending, which Tanaka reads as Harayadori.6 A printed broadside has 京舎ヶ濱 in Kashima district, the Ōshuku zakki 阿久津浦, the Mito document 外濱.628

Most also say the beach lay in the fief of Ogasawara Etchū no kami, and that is the first thing that fails. Tanaka and Minakami both find no such fief on that stretch of coast.29 Tanaka puts the fishing rights at Sharihama in the hands of a different bannerman, Matsushita Kawachi no kami.30 He reads the Ogasawara line, which says the account was copied from a report by that lord’s fief, as the story’s source rather than its landing place.31

Sharihama is the best candidate so far. The Banke document, which Tanaka found in 2014, writes the name as 常陸原舎り濱, and he says the same name is on Inō’s map and is the Sharihama of today’s Hasaki, in Kamisu city.11 The National Archives are more careful, saying only that Harayadori is “said to be” perhaps Sharihama.32 Minakami, whose paper of 2014 called Harayadori invented, was writing before the Banke document came to light.9

The Mito document has its own beach. Tanaka found the name 外濱 in the Yanagawa district of Kamisu, about 10 km from Sharihama, and reads the paper as an advertisement for Seifuku-ji temple’s silkworm faith, not a travel report.33

The woman in the vessel

All ten kinds in Tanaka’s first group have a woman with a box.18 Little else about her stays put. The three oldest give a pale blue-white face, dark red eyebrows and hair, and white teeth.34 The Toen-kai text has reddish brows and hair and a pink face.1934 The Ume no chiri of 1844 has skin white as snow and glossy black hair, and Tanaka reads the later wording as simplified over time.34

A hollow ship with a woman aboard was not new in 1803. The National Archives list one that came ashore at Yoshida-ura in Mikawa in 1698, with a man’s head at the bow and a woman nobody could understand.35 A diary of 1699 reports another at Atsuta, with a palace woman and a monk’s head on a spike, and the diarist writes it off as a false tale.36

A guess that ends in a shrug

The Hirokata copy ends by guessing at her country. It says the signs inside the vessel resemble those on an English ship that came to Uraga, and that she might be English or a king’s daughter from the Netherlands or America.37

これも亦知るべからず37

This too cannot be known.

Our translation

Minakami, quoting Yanagita Kunio’s essay of 1926, gives the same words as Bakin’s note.37 Yanagita himself called the whole story a tall tale, because the four signs in the vessel were nonsense.38 The one early text that doubts it, the Ibun zassho, ends 「此事偽と聞たり」, “this matter was heard to be false”.3 Tanaka cannot tell whether “false” means the report to the authorities or the story, and he finds no official record of a landing.3

Minakami thinks the event probably never happened.7 Tanaka says in an interview that he feels it was probably based on something real.8

How it became a flying saucer

In 1926 Yanagita could treat letters nobody could read as proof of a tall tale. Minakami argues that after the Kenneth Arnold sighting of 24 June 1947 “letters not of this world” no longer meant that, and could mean the writing of visitors.39 Tanaka began studying the story around 1998.10 Skeptical Inquirer printed his paper in July/August 2000 under the title “Did a Close Encounter of the Third Kind Occur on a Japanese Beach in 1803?”40 We found no earlier publication that sets the vessel beside a saucer, but we could not read Tanaka’s paper or his book, so that is a gap in our search and not a finding.

Two of the explanations for the signs and the shape are on the record. Minakami reads the triangle-and-circle signs as an upside-down VOC monogram of the Dutch East India Company, the mark of a Nagasaki ship-owner’s flag; Tanaka reports the idea and doubts that Dutch letter frames were in use in Hitachi in 1803.41 Tanaka’s own reading is that the early texts describe a silkworm in its stages, pale larva to white cocoon, and that the Mito document’s woman was drawn from the Kinjiki-hime statue at Seifuku-ji. He still calls the origin of the saucer shape unexplained.42

A copy from Akita

On 23 July 2026 the Sakigake newspaper reported that Akita Prefectural Library holds a copy, made in 1867 by Ogasawara Tameji of Asō in present-day Noshiro, of a record titled 「聞書覚及俳諧」. It puts the arrival on the Hitachi coast in February 1803, as the paper gives it. We could read only the free opening of the article, and it does not say whether that is the lunar second month. Experts told the paper it is plain and lacks the sensational parts of the other texts, and one called it possibly a real drift report.43 We have not seen it.

What we could not verify

Sources we have not seen

  • The Toen shōsetsu itself, which would show everything Bakin wrote on the story. The only open copy we found is the Hirokata copy above; the National Diet Library’s edition (Nihon zuihitsu taisei, 1928) is restricted to registered readers, and its image service refused the request when we tried on 10 October 2026.
  • Tanaka’s Skeptical Inquirer paper of 2000, which would show how the saucer comparison was first argued. The magazine’s archive is for subscribers only.

Seen only where others quote them

  • The Banke document, the Shinko zakki, the Ibun zassho and the Mito document, read only in Tanaka’s tables and printed transcriptions; the Banke and Mito papers are in private hands.
  • The Ume no chiri (1844), read only in Tanaka’s quotations.
  • Asahi Bunzaemon’s diary of 1699 and Yanagita’s essay of 1926, read only where Minakami quotes them.

Questions we could not settle

  • Which beach it was, and in which month.
  • Whether anything came ashore at all.
  • What Bakin wrote about the story beyond the note Yanagita quotes.
  • Who first compared the vessel to a flying saucer.

Sources

    • Tanaka Kazuo 2023, p. 108, introduction: 「14編13種類の文書が見つかった…すべての文書に絵があり、絵のない文書は見つかっていない」↑
    • Tanaka Kazuo 2023, p. 104, section 5 (初期3文書・最もオリジナルに近い伝説) with its list of six shared features; p. 103 for the shared items↑
    • Tanaka Kazuo 2023, pp. 105 to 104: final lines of section 4, quoting 「此事偽と聞たり」 and 「右之段公儀へ御訴申上候」; the same lines in the appendix text of ⑭ on p. 94↑
    • Tanaka Kazuo 2023, p. 107 (Banke: 「亥年 二月廿六日」, "slip" argument); p. 103 (all items common among the three; 「「三月二十六日」の写し間違い」); appendix pp. 96 to 95 (⑪ 「亥年 二月廿六日」, ⑬ 「當亥三月廿六日」, ⑭ 「當亥三月廿六日」)↑
    • 鶯宿雑記, Komai Norimura, NDL 238-1, image 115, left page, first entry, lines 1 to 2: 「享和三年亥八月二日 常陸国鹿嶋郡阿久津浦 小笠原越中守知行所」 (reading ours; 八 and the day number are the clearest cursive on the line); continued on image 116 right page (primary)
    • Tanaka Kazuo 2023, p. 94, appendix text of ⑧ 水戸文書: 「享和三亥八月常陸国鹿嶋郡外濱 小笠原越中守様御知行所」↑
    • Tanaka Kazuo 2023, p. 107, Tables 1 and 2, columns 年 and 漂着現場の地名; p. 106 for the reading はらやどり; p. 100 for the Ume no chiri published in 1844↑
    • Tanaka Kazuo 2023, p. 106, section 2, near the top: 「「常陸」「原」「舎」を含む地名が江戸時代の記録に見つからず、架空の地名とされて来た」
    • Minakami Ryūtarō 2014, p. 89: 「「はらやどり」という地名も存在していなかった。つまり、架空の地名であったことが、田中名誉教授の調査によって明らかにされている」 (written before the Banke find)↑
    • 広報かみす no. 409, 1 March 2024, p. 3, paragraph 「田中さんがうつろ舟奇談の研究を始めたのは1998年ごろ…2009年には『江戸うつろ舟ミステリー』を出版しました」↑
    • Tanaka Kazuo 2023, p. 106, section 2, paragraph 2: 「2014年、筆者の調査により「⑪伴家文書」には漂着地名として「常陸原舎り濱」と書かれていることが判明した…一八〇一年の測量から作成した地図「伊能図」にあり…(現在の茨城県神栖市波崎舎利浜)」↑
    • Tanaka Kazuo 2023, p. 107, section 2 (「⑪伴家文書」と“常陸原舎り浜”), first paragraphs; Kawakami's opinion as relayed there↑
    • 広報かみす no. 409, 1 March 2024, p. 4, section 「漂着地が舎利浜と判明!」, the paragraph after the Inō-map sentence: 「波崎町史によると、舎利浜に人が定住するようになったのは…1872年(明治5年)…江戸時代には住む人はなく砂丘が広がっていた」↑
    • Minakami Ryūtarō 2014, 文化科学研究 25, p. 90, second paragraph: 「文政八(一八二五)年に江戸で開かれていた「兎園会」…十二人が月に一回互いの家へと集まり…書き写される形で次第に世に知られるようになった」↑
    • Tanaka Kazuo 2023, p. 108, figure 1 caption: 「「①兎園小説:うつろ舟の蛮女」の絵 (原画はカラー)…(天理大学中央図書館蔵)」
    • Minakami Ryūtarō 2014, p. 90: 「天理大学図書館に残る『兎園小説』の原本にある色付きのイラスト」↑
    • 鶯宿雑記, Komai Norimura, NDL 238-1, image 116, right page, the drawing, the label 「ウツロ舟図」 and the entry text; image 115 left page for the place line (primary)
    • Tanaka Kazuo 2023, p. 107, Table 2, row ⑤ 鶯宿雑記 (年 1815; 領主 小笠原越中守様知行所; 地名 常陸國鹿嶋郡阿久津浦)↑
    • Tanaka Kazuo 2023, pp. 107 and 103, Tables 1 to 3 and section 5 intro; group 2 is ⑤ 鶯宿雑記 and ⑧ 水戸文書, group 3 is ⑩ やじきた文書 whose landing place is a harbour in Bōshū↑
    • Tanaka Kazuo 2023, p. 105, section 4 (⑭ 異聞雑著): cover 「享和元年(一八〇一年)九月廿九日」, items up to Bunka 3 (1806)↑
    • Tanaka Kazuo 2023, p. 105, end of section 3: 「小笠原越中守の領地は鹿島郡を含む常陸国の太平洋沿岸に見つかっていない」
    • Minakami Ryūtarō 2014, p. 89: 「当時の常陸国の海岸線沿いには小笠原越中守の知行地などなく」, citing Tanaka's survey↑
    • Tanaka Kazuo 2023, p. 106, section 2: 「江戸時代“舎り濱”の漁業権を持つ「東下村舎利」は旗本松下河内守の領地で小笠原越中守の領地ではない」↑
    • Tanaka Kazuo 2023, p. 105, section 3 (⑬ 新古雑記), the red-ink note of the Shinko zakki and the paragraph that follows it↑
    • Tanaka Kazuo 2023, pp. 101 to 102, sections 6 and 7 (⑨→⑧ 水戸文書, 外濱, stele of 1867 in Yanagawa, map fig. 7; 「グループ1の漂着地“舎利浜”とは10km程しか離れてない」)↑
    • 弘賢随筆, item うつろ舟の蛮女, National Archives of Japan, image 23-3, right page: the figures of the four signs, then 「イギリス」, 「ベンガラ」/「アメリカ」, 「蛮王の女」, 「これも亦知るべからず」; cursive, partly [?] (primary)
    • National Archives of Japan, exhibition 漂流ものがたり, item 23, page 12.html, item 23: 「舟に書かれた記号は、浦賀に来航したイギリス船にも書かれていたようで、この作者は蛮女はイギリスかオランダ、アメリカ等の王の娘ではないかと記しています」
    • Minakami Ryūtarō 2014, 文化科学研究 25, p. 88: quotes Yanagita Kunio's 「うつぼ舟の話」 (Chūō kōron, 1926; 定本柳田國男集 vol. 9) quoting Bakin's note: 「最近浦賀の沖に繋つたイギリス船にも此等の蛮字があつた…是も亦知るべからず、尋ねまほしきことなりかし」; read by us as Bakin's annotation on the story↑
    • Minakami Ryūtarō 2014, p. 88, the paragraph from 「だが、戦後になるとこの解釈だけでは押しきれなくなった」↑
    • Minakami Ryūtarō 2014, pp. 87 to 86: the triangle-and-circle signs compared with the Nagasaki Kunchi flag and the VOC mark
    • Tanaka Kazuo 2023, p. 97, section 10, last paragraph: 「皆神龍太郎氏が一八一〇年頃の浮世絵やオランダ東インド会社のロゴとの類似を指摘している。しかし…享和三(一八〇三)年頃に常陸国で流通していたかは、はっきりしない」↑
    • Tanaka Kazuo 2023, pp. 99 to 97, sections 9 and 10; pp. 103 to 102 for the statue and bow; p. 97 for the unsolved origin of the vessel↑

Documents quoted